The internal world of Don Giovanni
Identifieur interne : 001436 ( Main/Exploration ); précédent : 001435; suivant : 001437The internal world of Don Giovanni
Auteurs : Richard Rusbridger [Royaume-Uni]Source :
- The International Journal of Psychoanalysis [ 0020-7578 ] ; 2008-02.
Descripteurs français
- Pascal (Inist)
- Wicri :
English descriptors
- KwdEn :
- Applied psychoanalysis, Bipolar Disorder (psychology), Don Giovanni, Feminity masculinity, Guilt, Human, Humans, Literacy character, Medicine in Art, Music, Narcissism, Oedipus Complex, Oedipus complex, Phallic stage, Projective identification, Psychoanalytic Interpretation, Subjective experience, opera, phallic narcissism, projective identification.
- MESH :
- psychology : Bipolar Disorder.
- Guilt, Humans, Medicine in Art, Music, Narcissism, Oedipus Complex, Psychoanalytic Interpretation.
Abstract
The author tries to account for the disturbing impact of Mozart’s opera Don Giovanni. Some writers idealize Don Giovanni’s power and vitality. The author view is that Mozart’s music depicts him as a much emptier character, using phallic narcissism as a way of surviving a psychic catastrophe by projecting his pain into others. The music shows how Giovanni lives in projective identification with many other objects and part‐objects, masculine and feminine; and how he seduces them into complicity with his defensive system. This situation is contrasted musically with the world of the other characters, particularly the women, who are depicted as more ordinary, more complex and, in fact, more sensual.
Url:
DOI: 10.1111/j.1745-8315.2007.00004.x
Affiliations:
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Le document en format XML
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Some writers idealize Don Giovanni’s power and vitality. The author view is that Mozart’s music depicts him as a much emptier character, using phallic narcissism as a way of surviving a psychic catastrophe by projecting his pain into others. The music shows how Giovanni lives in projective identification with many other objects and part‐objects, masculine and feminine; and how he seduces them into complicity with his defensive system. This situation is contrasted musically with the world of the other characters, particularly the women, who are depicted as more ordinary, more complex and, in fact, more sensual.</div></front></TEI><affiliations><list><country><li>Royaume-Uni</li></country></list><tree><country name="Royaume-Uni"><noRegion><name sortKey="Rusbridger, Richard" sort="Rusbridger, Richard" uniqKey="Rusbridger R" first="Richard" last="Rusbridger">Richard Rusbridger</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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